| Description |
1 online resource |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Drama and theatre in early modern Europe ; 6 |
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Drama and theatre in early modern Europe ; 6.
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| Bibliography |
Includes bibliographical references and index. |
| Note |
Print version record and CIP data provided by publisher; resource not viewed. |
| Contents |
Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas's Celestina (1499/1502) and Niccolò Machiavelli's Mandragola (1518) / Sven Thorsten Kilian -- 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools' Play in the Italian Renaissance Comedy Gl'Ingannati (1532) / Katja Gvozdeva -- 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri's and Ottavio Rinuccini's Euridice (1600) / Déborah Blocker -- 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / Wendy Heller -- 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi's L'Amore delle tre melarance / Tatiana Korneeva -- 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / Logan J. Connors -- 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / Kirill Ospovat -- 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen's Martyr Drama in Context / Nigel Smith -- 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / Hans Rudolf Velten -- 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / Toni Bernhart -- 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603-1868) / Stanca Scholz-Cionca -- Index. |
| Summary |
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience -- among both theatregoers and readers of drama -- contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call 'public sphere(s)'? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the 'public' existed in a variety of forms, locations, and cultures across early modern Europe -- and in Asia. |
| Subject |
Theater and society.
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Theater audiences.
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Theater -- History -- 16th century.
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Theater -- History -- 17th century.
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Theater -- History -- 18th century.
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Théâtre et société.
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Théâtre -- Publics.
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Théâtre -- Histoire -- 16e siècle.
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Théâtre -- Histoire -- 17e siècle.
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Théâtre -- Histoire -- 18e siècle.
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HISTORY -- General.
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Theater
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Theater and society
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Theater audiences
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| Chronological Term |
1500-1799
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| Genre/Form |
Electronic books.
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History
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| Added Author |
Gvozdeva, Katja, 1965- editor.
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Korneeva, Tatiana, editor.
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Ospovat, Kirill, editor.
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| Other Form: |
Print version: Dramatic experience. Leiden ; Boston : Brill, [2016] 9789004329751 (DLC) 2016039099 |
| ISBN |
9789004329768 (electronic bk.) |
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9004329765 (electronic bk.) |
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9789004329751 (hardback ; alk. paper) |
| Standard No. |
10.1163/9789004329768. doi |
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AU@ 000059473464 |
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GBVCP 1014944813 |
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