Description |
1 online resource (1 score (xxxii, 69 pages, 1 plate)) : 1 facsimile + 1 set of parts. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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score rdafnm |
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Italy naf |
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singer 1 continuo lcmpt |
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singer 1 guitar 1 2 lcmpt |
Series |
Recent researches in the music of the Baroque Era ; 198 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; v. 198.
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Recent researches in music online. 2577-4573
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Language |
Italian words, also printed as texts with English translations on pages xxiv-xxxii. |
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Staff notation. |
Note |
For voice and continuo (possibly guitar); partially figured bass unrealized. |
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Edited from the first edition, compiled by Francesco Tonalli, published by Alessandro Vincenti; copy in the British Library (Music Collection K.4.d. 18). |
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Score and performance parts are available separately from the publisher. |
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Includes introduction and critical report. |
Summary |
"This edition of Arie a voce sola de diversi auttori (Venice: Alessandro Vincenti, 1656), a collection of secular monodies for voice and basso continuo, complements the edition of the exactly contemporaneous sacred collection Sacra Corona (Venice: Francesco Magni, 1656), already published by the same editor (B189). It contains short arie by various authors, some of whom had also contributed to Sacra Corona (Barbara Strozzi, Francesco Cavalli, Pietro Ziani, Orazio Tarditi, and Maurizio Cazzati) and some of whom did not (Giovanni Battista Chinelli, Francesco Lucio, Luigi Pozzi, and Giovanni Battista Agnelletti). As in Sacra Corona, distinct Venetian and non-Venetian groups of composers can be identified within Arie a voce sola, and the printers, compilers, and dedicatees of both anthologies occupied similar social and economic milieus. Furthermore, at least three of the "new" composers-Lucio, Pozzi, and Agnelletti-shared the patronage of families recently raised to Venetian nobility (e.g., the Widmann and the Savorgnan), who, like those composers, resided in Venice's eastern Terraferma territories." -- Provided by publisher. |
Note |
Online resource (A-R Editions, viewed October 26, 2018). |
Bibliography |
Includes bibliographical references. |
Contents |
Risolvetevi pensieri ; Chi brama in amore / Barbara Strozzi -- È rimedio al mal d'amore ; Pazzi amanti / Francesco Cavalli -- Lungi da te, mio bene ; Io mi ricordo un dì ; Vedo Amor che son tuo schiavo ; Quella crudel che adoro / Orazio Tarditi -- Mi serpe nel petto ; Volgete il guardo / Maurizio Cazzati -- Preziose catene ; Sorga l'alba o mora il dì / Pietro Andrea Ziani -- Ben accorta, ben sagace ; V'ingannate, o pensieri / Giovanni Battista Chinelli -- Ch'io ti creda, oh questo no ; Cor mio, non ti turbare ; Ogni amante ha per usanza ; Troppo grande è il tormento / Francesco Lucio -- Or che il mio ben non m'ama / Luigi Pozzi -- Se dico "Lilla, m'ami" ; Sì, ch'io moro / Giovanni Battista Agnelletti. |
Subject |
Songs with continuo.
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Songs with guitar.
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Songs -- Italy -- 17th century.
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Chansons acc. de basse continue.
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Chansons acc. de guitare.
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Chansons -- Italie -- 17e siècle.
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Songs with guitar
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Songs with continuo
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Songs
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Songs -- Scores
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Italy https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
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Chronological Term |
1600-1699
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Genre/Form |
Chamber music
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Scores
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Songs
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Parts (Music)
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Songs.
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Chamber music.
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Scores.
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Parts (Music)
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Musique de chambre.
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Partitions (Musique)
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Parties (Musique)
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Added Author |
Tonalli, Francesco, compiler.
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Rismondo, Paolo Alberto, editor.
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Container of (work): Strozzi, Barbara, 1619-1677.
Ariettas, op. 6. Rissolvetevi, pensieri.
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Container of (work): Strozzi, Barbara, 1619-1677.
Ariettas, op. 6. Chi brama in amore.
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Container of (work): Cavalli, Pier Francesco, 1602-1676.
È rimedio al mal d'amore.
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Container of (work): Cavalli, Pier Francesco, 1602-1676.
Pazzi amanti.
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Container of (work): Tarditi, Orazio, 1602-1677.
Lungi da te, mio bene.
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Container of (work): Tarditi, Orazio, 1602-1677.
Io mi ricordo un dì.
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Container of (work): Tarditi, Orazio, 1602-1677.
Vedo Amor che son tuo schiavo.
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Container of (work): Tarditi, Orazio, 1602-1677.
Quella crudel che adoro.
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Container of (work): Cazzati, Maurizio, 1616-1678.
Mi serpe nel petto.
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Container of (work): Cazzati, Maurizio, 1616-1678.
Volgete il guardo.
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Container of (work): Ziani, Pietro Andrea, 1616-1684.
Preziose catene.
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Container of (work): Ziani, Pietro Andrea, 1616-1684.
Sorga l'alba o mora il dì.
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Container of (work): Chinelli, Giovanni Battista, 1610-1677.
Ben accorta, ben sagace.
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Container of (work): Chinelli, Giovanni Battista, 1610-1677.
V'ingannate, o pensieri.
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Container of (work): Lucio, Francesco, 1627 or 1628-1658.
Ch'io ti creda, oh questo no.
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Container of (work): Lucio, Francesco, 1627 or 1628-1658.
Cor mio, non ti turbare.
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Container of (work): Lucio, Francesco, 1627 or 1628-1658.
Ogni amante ha per usanza.
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Container of (work): Lucio, Francesco, 1627 or 1628-1658.
Troppo grande è il tormento.
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Container of (work): Pozzi, Luigi, active 1638-1656.
Or che il mio ben non m'ama.
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Container of (work): Agneletti, Giovanni Battista, active 1656-1673.
Se dico "Lilla, m'ami."
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Container of (work): Agneletti, Giovanni Battista, active 1656-1673.
Sì, ch'io moro.
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Other Form: |
Print version: Arie a voce sola de diversi autori Arie a voce sola de diversi auttori : (Venice, 1656) Middleton, Wisconsin : A-R Editions, Inc., 2018. (OCoLC)1017597793 9780895798688 |
ISBN |
9781987200034 (online) |
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1987200039 (online) |
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9780895798688 (print) |
Standard No. |
10.31022/B198 doi |
Music No. |
B198 A-R Editions, Inc. |
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