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Author Moskovitz, Marc, author.

Title Beethoven's cello : five revolutionary sonatas and their world / Marc D. Moskovitz and R. Larry Todd.

Publication Info. Woodbridge : The Boydell Press, 2017.
2017

Copies

Location Call No. OPAC Message Status
 Axe 2nd Floor Stacks  780.92 B393Dmo 2017    ---  Available
1 copy being processed for Axe Acquisitions Order.
Description xxiv, 249 pages : illustrations, music ; 24 cm
text txt rdacontent
still image sti rdacontent
notated music ntm rdacontent
unmediated n rdamedia
volume nc rdacarrier
Bibliography Includes bibliographical references (pages 203-238) and indexes.
Contents From Bonn to Berlin -- Music fit for a king: the sonata in F major Op. 5 No. 1 (1796) -- Beethoven's cellos -- Tragic/comic masks: the sonata in G minor Op. 5 No. 2 (1796) -- Beethoven's pianos -- Themes and variations -- The Triple concerto as outlier -- Friendship, war, tears, and grief: the sonata in A major Op. 69 (1808) -- Freedom and control: the sonata in C major Op. 102 No. 1 (1815) -- 'Most remarkable and strange': the sonata in D major Op. 102 No. 2 (1815) -- Arranged sonatas -- Opus Posthumum -- Primary sources of Beethoven's music for cello and piano -- Reviews of Beethoven's cello music by his contemporaries.
Summary "In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context. Also considered in a series of interludes are Beethoven's three variation sets, his cello-centric 'Triple' Concerto, and arrangements for cello and piano of other works. Two other interludes address the cellos owned by Beethoven and the changing nature of his pianos. Featuring a preface by renowned cellist Steven Isserlis and concluding with translated reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire."--Jacket flap.
Subject Beethoven, Ludwig van, 1770-1827. Sonatas, cello, piano.
Beethoven, Ludwig van 1770-1827 (DE-588)118508288
Sonatas (Beethoven, Ludwig van) (OCoLC)fst01356299
Sonata -- 19th century.
Chamber music -- 19th century -- History and criticism.
Chamber music. (OCoLC)fst00851938
Sonata. (OCoLC)fst01125798
Chronological Term 1800-1899
Genre/Form Criticism, interpretation, etc. (OCoLC)fst01411635
Added Author Todd, R. Larry, author.
ISBN 1783272376
9781783272372 hardcover

 
    
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