| Description |
1 online resource (1 score (xxv, 108 pages, 6 pages of plates)) : facsimiles + 1 set of 4 parts. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Recent researches in the music of the Baroque Era ; 150 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 150.
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Recent researches in music online. 2577-4573
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| Note |
For solo voice (1st, 4th-7th, 9th, 11th, and 13th pieces), 2 voices (2nd-3rd, 8th, 10th, 12th, and 14th), or 3 voices (15th); 2 violins (1st-14th, with alto recorder in the 11th); and continuo; figured bass unrealized; includes part for bass instrument. |
| Language |
German words, also printed as text with English translation on pages xvi-xxv. |
| Note |
Score and performance parts are available separately from the publisher. |
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Includes introduction and critical report. |
| Summary |
"Andreas Hammerschmidt's Geistlicher Dialogen Ander Theil (1645) is a collection of fifteen sacred lieder for one to three voices, two to three instruments, and continuo, twelve of which use texts from Martin Opitz's paraphrase of the Song of Songs. With its overtly erotic content and covert spiritual meaning, the Song of Songs had long been a popular choice of text for musical treatment. Hammerschmidt is one of the few composers to approach Opitz's poetry in a systematic way with the intention of setting the entire collection. Arguably one of the most popular and widely heard German composers of his generation, Hammerschmidt writes in a simple yet subtle style appropriate for private and amateur performance. The vocal and instrumental parts are naturally undemanding and could easily be attempted by students. This apparent simplicity should not belie the music its charms and the possibility of tasteful variation in performance. The present contribution makes Hammerschmidt's volume available to modern performers and scholars for the first time." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed May 9, 2019). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Liebster sagt in süssen Schmertzen -- Sag O Sonne meiner Seele -- Wie der güldnen Rosen Zier -- Komm O Schöne wo ich bin -- Der mich mehr noch liebt als sich -- Nachdem ich lag in meinem öden Bette -- Mein Lieb wie schöne bist doch du -- Komm Nordwind du/O Sud steh auf -- Mein Trost auf den ich alles richte -- Komm Liebste komm/Was fleuchst du denn für mir? -- Wie schöne Füss vnd auch wie schöne Schuh -- Mein Hertze welche du die stillen Gärte liebest -- Tugend ist der beste Freund: aria -- Wer Gott das Hertze giebet: aria -- Wenn Gott auf vnsre Lenden: aria. |
| Subject |
Opitz, Martin, 1597-1639 -- Musical settings.
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Opitz, Martin, 1597-1639 https://id.oclc.org/worldcat/entity/E39PBJkD9DjBXDTGBjhHYCcVmd
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Sacred songs with instrumental ensemble -- Scores and parts.
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Sacred vocal duets with instrumental ensemble -- Scores and parts.
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Sacred vocal trios with continuo -- Scores and parts.
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Song of Solomon (Music)
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Chants sacrés acc. d'ensemble instrumental -- Partitions et parties.
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Duos sacrés acc. d'ensemble instrumental -- Partitions et parties.
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Cantique des cantiques (Musique)
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Sacred vocal duets with instrumental ensemble -- Scores and parts
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Song of Solomon (Music)
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| Genre/Form |
Musical settings
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Scores
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Scores.
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Musical settings.
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Partitions (Musique)
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Mises en musique.
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| Added Author |
Tilley, Janette, 1973- editor.
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Musical setting of (work): Opitz, Martin, 1597-1639.
Salomons des Hebreischen Königes Hohes Liedt.
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| Other Form: |
Print version: Hammerschmidt, Andreas, 1611 or 1612-1675. Geistliche Dialogen. Geistlicher Dialogen ander Theil. Middleton, Wisconsin : A-R Editions, Inc., 2008. (OCoLC)212371651 9780895796257 |
| ISBN |
9781987201888 (online) |
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1987201884 |
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9780895796257 (print) |
| Standard No. |
10.31022/B150 doi |
| Music No. |
B150 A-R Editions, Inc. (score) |
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B150P A-R Editions, Inc. (parts) |
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