| Description |
x, 281 pages : illustrations ; 23 cm |
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text txt rdacontent |
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unmediated n rdamedia |
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volume nc rdacarrier |
| Bibliography |
Includes bibliographical references (pages 258-276) and index. |
| Contents |
pt. I. Witnesses and the re-animation of 9/11 as an image-event : Witnessing terrorism ; Welcome to the city, welcome to the desert of the real ; Celebrity terrorism: passion for the real -- pt. II. 9/11 as popular culture and pornography : Representing terrorism: re-animating post-9/11 New York City ; They were created by man ... and they have a plan: subjective and objective violence in Battlestar Galactica and the war on terror ; Post-9/11 comedy/trauma ; Terrorsex: witnesses, spectacular terrorism and pornography ; A screen culture of terrorism. |
| Summary |
It has often been said that everything changed after 9/11. Popular, tele-visual and screen cultures were not immune. Television shows like 24, Battlestar Galactica, Family Guy and American Dad, and movies like Team America: World Police represented the post-9/11 world in complex and symbolic ways. Television shows like Friends, How I Met Your Mother and Dollhouse, and a Vogue: Italia fashion shoot grappled with the post-9/11 world through absences, presences and symbolic representations of cities and security. These are the artifacts of post-9/11 screen cultures, and witnesses cannot help but watch. |
| Subject |
Sensationalism on television.
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September 11 Terrorist Attacks, 2001, on television.
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September 11 Terrorist Attacks, 2001, in motion pictures.
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Terrorism on television.
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Terrorism in motion pictures.
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Sensationalism on television. (OCoLC)fst01112552
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September 11 Terrorist Attacks (2001) in motion pictures. (OCoLC)fst01907196
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September 11 Terrorist Attacks, 2001, on television. (OCoLC)fst01747281
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Terrorism in motion pictures. (OCoLC)fst01148155
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Terrorism on television. (OCoLC)fst01148158
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| ISBN |
0982806132 (pbk.) |
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9780982806135 (pbk.) |
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