| Description |
1 online resource (1 score (xxv pages, 4 unnumbered pages of plates, 41 pages)) : facsimiles. |
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notated music ntm rdacontent |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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staff notation 1007 rdafmn |
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score 1007 rdafnm |
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Milan (Italy) naf |
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mixed chorus SATB 1 1 lcmpt |
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mixed chorus SATTB 1 1 lcmpt |
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soprano voice 1 alto voice 1 tenor voice 1 bass voice 1 4 lcmpt |
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soprano voice 1 alto voice 1 tenor voice 2 bass voice 1 5 lcmpt |
| Series |
Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; 186 |
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Motetti missales edition |
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Recent researches in Music Online. 2577-4573.
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Recent researches in the music of the Renaissance ; v. 186.
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Motetti missales edition.
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| Note |
The authorship of Ave, Domine Iesu Christe is uncertain. |
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Introduction and critical report in English. |
| Bibliography |
Includes bibliographical references. |
| Contents |
Ave, Domine Iesu Christe, Verbum Patris -- Ave, Domine Iesu Christe, laus angelorum -- Ave, Domine Iesu Christe, lumen caeli -- Ave, Domine Iesu Christe, vita dulcis -- Salve, Salvator mundi -- Adoramus te, Christe -- Parce, Domine -- Da pacem, Domine. |
| Summary |
"The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors' insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014-21. The anonymous motet cycle Ave, Domine Iesu Christe, transmitted uniquely in Librone 1 of the Milanese Libroni, consists of eight motets for four and five voices on Christological texts; the first four, each of which begins with the words "Ave, Domine Iesu Christe," take their text from a prayer to Christ popular in contemporary prayer books. Despite the anonymous transmission, several notable stylistic features of the cycle--including use of the technique of "split tenors"--suggest a possible attribution to Loyset Compère (ca. 1450-1518). All eight motets bear loco rubrics indicating their placement in the mass liturgy." -- Provided by publisher. |
| Language |
Latin words, also printed separately as text with English translations. |
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Staff notation. |
| Note |
Online resource (A-R editions, viewed March 23, 2024). |
| Subject |
Motets -- Scores.
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Choruses, Sacred (Mixed voices), Unaccompanied -- Scores.
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Sacred vocal quartets, Unaccompanied -- Scores.
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Sacred vocal quintets -- Scores.
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| Genre/Form |
Motets.
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Sacred music.
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Scores.
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Chamber music.
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| Added Author |
Compère, Loyset, approximately 1445-1518, composer, attributed name.
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Filippi, Daniele V., editor.
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| Added Title |
Motetti missales cycle from the Milanese Libroni |
| Other Form: |
Print version: Ave, Domine Iesu Christe. Middleton, Wisconsin : A-R Editions, Inc., ©[2024] (OCoLC)1417640476 9781987208757 |
| ISBN |
9781987208764 (online) |
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1987208765 |
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9781987208757 (print) |
| Standard No. |
10.31022/R186 doi |
| Music No. |
R186 A-R Editions, Inc. (score) |
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