Description |
1 online resource (1 score (xv, 103 pages)). |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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score part rda |
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clarinet 1 orchestra 1 1 1 lcmpt |
Series |
Recent researches in the music of the Classical Era ; 104 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Classical Era ; 104.
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Recent researches in music online. 2577-4573
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Language |
Staff notation. |
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Introduction and critical report in English. |
Note |
Edited from the first and only edition (Simrock), at the Instituto musicale Pareggiato "O. Vecchi -- A. Tonelli," Modena. |
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Score and performance parts are available separately from the publisher. |
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Includes introduction and critical report. |
Summary |
"The early years of the nineteenth century saw wide-ranging developments to the mechanics and acoustics of the Classical clarinet. The Russian virtuoso clarinetist, composer, and instrument designer Iwan Müller brought about some of the most important innovations in clarinet design. His "clarinet omnitonique," a thirteen-keyed instrument, was radical in that it would be able to play comfortably in all tonalities, dispensing with the need for the family of clarinets pitched in different keys. For a prototype of this "nouvelle clarinet"--a collaboration between Müller and the noted Viennese maker, Johann Merklein--the German composer Philipp Jakob Riotte (1776-1856) wrote a virtuosic concerto. This premiered in Vienna in the autumn of 1809. Published in 1818, and previously thought to be lost, Riotte's op. 36 for the prototype "clarinet omnitonique" displays a diverse palette of keys, extreme registral contrasts, and chromatic writing for clarinet, which were clearly facets of Müller's playing enabled by his new instrument. The work enhances our understanding of the development and deployment of the "clarinet omnitonique" within the concerto genre in the early nineteenth century. It serves also to reinstate the important relationship between Müller, Riotte, and Merklein." -- Provided by publisher. |
Note |
Online resource (A-R Editions, viewed November 6, 2018). |
Bibliography |
Includes bibliographical references. |
Contents |
Introduction. Background ; The composer ; Riotte's clarinet collaborators ; Music of the edition ; Notes on performance ; Notes -- Clarinet concerto in C minor, op. 36. I. Allegro moderato ; II. Adagio ; III. Rondo: Allegro -- Critical report. Sources ; Editorial methods ; Critical notes. |
Subject |
Concertos (Clarinet) -- 19th century -- Scores and parts (solo)
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Concertos -- Germany -- 19th century -- Scores and parts (solo)
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Clarinetists -- History -- 19th century.
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Rondos (Clarinet with orchestra) -- 19th century -- Scores and parts (solo)
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Concertos (Clarinette) -- 19e siècle -- Partitions et parties solo.
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Concertos -- Allemagne -- 19e siècle -- Partitions et parties solo.
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Clarinettistes -- Histoire -- 19e siècle.
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Clarinetists
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Germany https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd
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Chronological Term |
1800-1899
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Genre/Form |
Concertos
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History
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Parts (Music)
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Rondos
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Scores
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Concertos.
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Rondos.
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Scores.
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Parts (Music)
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Concertos.
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Rondos.
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Partitions (Musique)
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Parties (Musique)
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Added Author |
Harlow, Martin, editor.
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Other Form: |
Print version: Riotte, Philip Jakob, 1776-1856. Concertos, clarinet, orchestra, op. 36, C minor. Clarinet concerto in C minor, op. 36. Middleton, Wisconsin : A-R Editions, Inc., [2016]. (OCoLC)965140734 9780895798411 |
ISBN |
9781987200515 (online) |
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1987200519 |
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9780895798411 (print) |
Standard No. |
10.31022/C104 doi |
Music No. |
C104 A-R Editions, Inc. (score) |
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C104P A-R Editions, Inc. (parts) |
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