| Description |
1 online resource (1 score (xliii, 231 pages, 6 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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solo vocal ensemble 1 continuo lcmpt |
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alto voice 1 tenor voice 1 violin 2 continuo 2 lcmpt |
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tenor voice 1 violin 2 continuo 1 lcmpt |
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solo vocal ensemble 1 mixed chorus 1 continuo 2 lcmpt |
| Series |
Recent researches in the music of the Baroque Era ; 206 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 206.
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Recent researches in music online. 2577-4573
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| Note |
Principally for 1-12 voices (solo and, in part, chorus) with continuo; the bass lines are untexted. |
| Language |
Spanish words, also printed as text with English translations on pages xx-xliii. |
| Note |
Edited from manuscript parts in the Archivo del Cabildo Catedral Metropolitano de México. |
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Score and performance parts are available separately from the publisher. |
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Includes parts for violin 1, violin 2, and basso (Oíd, moradores del orbe; Ya la gloria accidental; Hoy sube arrebatada; Si son los elementos), and a treble part (playable on a violin, viola, or wind instrument) for Hoy sube arrebatada. |
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Includes introduction and critical report. |
| Summary |
"Recognized as the most significant composer from New Spain in the early eighteenth century, Manuel de Sumaya (ca. 1678-1755) oversaw musical activity at Mexico City Cathedral during a time of stylistic change. Sumaya, who was locally born and ordained as a priest, wrote music that mixes the counterpoint and rhythmic vigor of seventeenth-century Hispanic music with more modern Italianate gestures prescient of international taste in the eighteenth century. This edition of all thirty-four villancicos with music by Sumaya conserved in the Estrada Collection at Mexico City Cathedral reveals the expressive diversity and formal flexibility of the villancico in the 1710s and 1720s. Scored for one to twelve voices with basso continuo and sometimes violins, these pieces communicate theological, doctrinal, and historical ideas about St. Peter, St. Rose of Lima, the Virgin of Guadalupe, Christmas, Corpus Christi, and other celebrations of the Catholic Church. Complete translations of the baroque texts into English and commentary on historical performance practices included in the edition aim to facilitate revival of this key repertoire of colonial music." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed July 9, 2019). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Villancicos for one choir. Alégrense los astros : TrTrA, B.c. ; Al solio que por erguido : TrTrAT, B.c. ; Aprended, rosas, de mí : TrTrT, B.c ; Atiendan Lqué portento! : AT, B.c. ; LAy, cómo gime en el viento! : AA, B.c. ; Cerca de México el templo : AT, B.c. ; Dejó Pedro la primera : AT, B.c. ; Dios, sembrando flores : AT, B.c. ; Oíd, moradores del orbe : AT, 2 violins, B.c. ; Paces se han hecho : TrTr, B.c. ; Que os llama el sol, potencias : TrTrT, B.c. ; Sabio y amante fue Pedro : ATT, B.c. ; Silencio, que los cielos alegres : TrTrAT ; Ya la gloria accidental : T, 2 violins, B.c. -- Villancicos for two choirs. Acudid al despacho : TB+TrATB, B.c. ; La Bella Incorrupta : TrATB+TrATB, B.c. ; Un ciego que ver quería : TB+TrATB, B.c. ; En María la gracia : TB+TrATB, B.c. ; LFuego! que se abrasa : TrATB+TrATB, B.c. ; Hoy sube arrebatada : TrTB, 2 violins, B, B.c. ; Lucientes antorchas : TrATB+TrATB, B.c. ; Moradores del orbe : TrATB+TrATB, B.c. ; LOh, qué milagro! : TB+TrATB, B.c. ; Pues que triunfó : TB+TrATB, B.c. ; ?Quién es aquella paloma? : AB+TrATB, B.c. ; ?Quién es esta? : TB+TrATB, B.c. ; Si son los elementos : T+TrAT, 2 violins, B.c. ; Ya se eriza el copete : TB+TrATB, B.c. -- Villancicos for three choirs. Aplauda la tierra : TrATB+TrATB+TrATB, B.c. ; De las flores y estrellas : ATB+TrATB+TrATB, B.c. ; Hola, ha del mar pescadores : ATB+TrATB+TrATB ; Que se anega de Pedro la nave : ATB+TrATB+TrATB, B.c. -- Incomplete villancicos. Cielo animado en Guadalupe : AT ; LQué inefable, qué raro! : ATT. |
| Subject |
Villancicos (Music) -- Mexico -- 18th century -- Scores and parts.
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Sacred vocal ensembles with instrumental ensemble -- 18th century -- Scores and parts.
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Sacred songs (High voice) with instrumental ensemble -- 18th century -- Scores and parts.
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Choruses, Sacred (Mixed voices) with instrumental ensemble -- 18th century -- Scores and parts.
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Villancicos (Musique) -- Mexique -- 18e siècle -- Partitions et parties.
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Ensembles vocaux sacrés acc. d'ensemble instrumental -- 18e siècle -- Partitions et parties.
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Chants sacrés (Voix aiguë) acc. d'ensemble instrumental -- 18e siècle -- Partitions et parties.
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Chœurs sacrés (Voix mixtes) acc. d'ensemble instrumental -- 18e siècle -- Partitions et parties.
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Choruses, Sacred (Mixed voices) with instrumental ensemble -- Scores and parts
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Sacred songs (High voice) with instrumental ensemble -- Scores and parts
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Mexico https://id.oclc.org/worldcat/entity/E39QbtfRkxCrqQ3XXbCkdP63kc
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| Chronological Term |
1700-1799
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| Genre/Form |
Parts (Music)
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Sacred music
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Scores
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Villancicos (Music)
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Villancicos (Music)
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Sacred music.
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Scores.
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Parts (Music)
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Musique sacrée.
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Partitions (Musique)
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Parties (Musique)
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| Added Author |
Davies, Drew Edward, editor.
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| Other Form: |
Print version: Zumaya, Manuel de, approximately 1678-1755. Villancicos. Selections. Villancicos from Mexico City. Middleton, Wisconsin : A-R Editions, Inc., 2019. (OCoLC)1107049186 9781987202021 |
| ISBN |
9781987202038 (online) |
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1987202031 |
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9781987202021 (print) |
| Standard No. |
10.31022/B206 doi |
| Music No. |
B206 A-R Editions, Inc. (score) |
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B206P A-R Editions, Inc. (parts) |
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