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Printed Score
Author Pevernage, André, 1542 or 1543-1591, composer.

Uniform Title Cantiones aliquot sacrae
Title Cantiones sacrae (1578) Part 3, The elogia / Andreas Pevernage ; edited by Gerald R. Hoekstra.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2019.


Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xxxiv, 288 pages)).
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Renaissance ; 155
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Renaissance ; 155.
Recent researches in music online. 2577-4573
Note For mixed chorus, 6-8 voices.
Language Latin words, also printed as texts with English translations.
Staff notation.
Note "Because of the substantial size of the Cantiones sacrae, this edition is issued in three parts: part 1 ... contains the motets for feasts of the temporale; part 2 the motets for feasts of the sanctorale and general use; and part 3 the elegies."--Introduction, page ix.
Includes introduction and critical report.
Summary "With his Cantiones aliquot sacrae . . . quibus addita sunt elogia nonnulla (1578) Andreas Pevernage issued the fruit of fifteen years' work as chapel master at the Church of Our Lady in Kortrijk. The volume is a remarkable one, both from a musical and a historical standpoint. It is large for a music book of its time, consisting of sixty-three Latin motets, forty-eight of which are "cantiones sacrae," i.e., sacred songs, and twenty-five of which are "elogia," i.e., occasional and homage motets. The sacred pieces fall into two groups, those for the temporale and those for the sanctorale and general use. It is the large body of occasional pieces, though--some written to honor national figures such as Margaret of Parma, the archbishop, and the duke of Cro; and others to mark important events in the lives of Pevernage's fellow citizens--that constitutes the most unusual and historically significant aspect of the volume. This book presents a musical record of a sixteenth-century composer's activities both in his role as director of church music and as musician to the citizens of his town during the 1560s and '70s." -- Provided by publisher.
Note Online resource (A-R Editions, viewed March 14, 2019).
Bibliography Includes bibliographical references.
Contents Occasional and homage motets. Omnia mutantur ; Digna tuis dux alme ; En emicat lux aurea ; Nympha patris magni ; Janus adest ; Fungere tu Pyladis ; Optime Sexagi ; Mundus Alexandrum ; Carmine dicamus Canios ; Ut nunquam oppressos ; Huc oculos supraeme Deus ; Austriacis Flandras ; Audiit en tandem ; Taschia Loe·o juveni ; Lucina ae·rias. Undedicated motets. Cantantis Marthae ; Tu quicunque cupis ; Quattuor insignes. Motets for the St. Cecilia Guild deans. Alma patrona veni ; Plaudite ; Ducite festivos ; Ecce triumphali ; Caecilae gaudete ; Nectite Caecilae ; Solemnis redit ecce dies.
Subject Motets -- Scores.
Choruses, Sacred (Mixed voices), Unaccompanied.
Motets -- Partitions.
Chœurs sacrés (Voix mixtes) a cappella.
Choruses, Sacred (Mixed voices), Unaccompanied
Genre/Form Motets
Partitions (Musique)
Added Author Hoekstra, Gerald R., editor.
Other Form: Print version: Pevernage, André, 1542 or 1543-1591. Cantiones aliquot sacrae. Cantiones sacrae Part 3: the elogia. Middleton, Wisconsin : A-R Editions, Inc. (OCoLC)672011405 9780895796837
ISBN 9781987201437 (online)
9780895796837 (print)
Standard No. 10.31022/R155 doi
Music No. R155 A-R Editions, Inc.

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