Description |
1 online resource (1 score (xxv, 186 pages, 4 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
Series |
Recent researches in the music of the Renaissance ; 151 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; 151.
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Recent researches in music online. 2577-4573
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Note |
For cantus, altus, tenor, quintus, and bassus. |
Language |
Latin words, also printed as texts with English translations (p. xix-xxv). |
Note |
Edited from partbooks in the Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky. |
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Includes prefatory and biographical notes (p. ix-xvi) and critical commentary (p. 183-186). |
Summary |
"Hermann Matthias Werrecore served as the maestro di cappella at the Duomo of Milan from 1522 until 1550, and thereafter remained in residence as a singer and retired maestro until at least 1574. His Cantuum quinque vocum quos motetta vocant ... liber primus (1559) remains the single musical source surviving from the Duomo of Milan between the fourth Milan Choirbook (ca. 1520-27) and Vincenzo Ruffo's Missae quatuor concinate ad ritum concilii mediolani of 1570. The twenty motets contained in it include occasional works, pieces specific to both the Ambrosian and Roman festal calendars, ambitious multipartite settings of vespers hymns, and an Elevation motet. Together they demonstrate the adaptation of features characteristic of the Josquin generation, including cantus firmus, ostinato, coloration, and mensuration canon, to later sixteenth-century practice. Consideration of this repertoire within the context of surviving documentation from the Duomo illuminates our understanding of the role of polyphony in civic worship." -- Provided by publisher. |
Note |
Online resource (A-R Editions, viewed May 2, 2019). |
Bibliography |
Includes bibliographical references (pages xvi-xviii). |
Contents |
Veni sancte spiritus -- O Altitudo divitiarum -- Alma redemptoris mater -- Virgo prudentissima -- Confundantur qui me -- Tanto tempore -- Si bona suscepimus -- Ave regina caelorum -- Ecce nos relinquimus -- Porta haec clausa erit -- Haec dies -- Tu solus -- Quid retribuam domino -- Sana me domine -- Proh dolor -- Inclina Deus meus -- Inviolata, integra, et casta es Maria -- Quasi stella matutina -- Popule meus -- Ave maris stella. |
Subject |
Motets, Italian -- 16th century -- Scores.
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Choruses, Sacred (Mixed voices, 5 parts), Unaccompanied.
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Chronological Term |
1500-1599
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Genre/Form |
Scores
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Scores.
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Partitions (Musique)
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Added Author |
Getz, Christine Suzanne, 1957- editor.
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Other Form: |
Print version: Werrecore, Mathias, active 1522-1574. Canti quos motetta vocant. Cantuum quinque vocum quos motetta vocant... Middleton, Wisconsin : A-R Editions, Inc., 2008. (OCoLC)232130036 9780895796349 |
ISBN |
9781987201857 (online) |
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198720185X |
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9780895796349 (print) |
Standard No. |
10.31022/R151 doi |
Music No. |
R151 A-R Editions, Inc. |
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