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Printed Score
Author Werrecore, Mathias, active 1522-1574 composer.

Uniform Title Canti quos motetta vocant
Title Cantuum quinque vocum quos motetta vocant... : liber primus (1559) / Hermann Matthias Werrecore ; edited by Christine Suzanne Getz.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2019.
©2008

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xxv, 186 pages, 4 pages of plates)) : facsimiles.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Renaissance ; 151
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Renaissance ; 151.
Recent researches in music online. 2577-4573
Note For cantus, altus, tenor, quintus, and bassus.
Language Latin words, also printed as texts with English translations (p. xix-xxv).
Note Edited from partbooks in the Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky.
Includes prefatory and biographical notes (p. ix-xvi) and critical commentary (p. 183-186).
Summary "Hermann Matthias Werrecore served as the maestro di cappella at the Duomo of Milan from 1522 until 1550, and thereafter remained in residence as a singer and retired maestro until at least 1574. His Cantuum quinque vocum quos motetta vocant ... liber primus (1559) remains the single musical source surviving from the Duomo of Milan between the fourth Milan Choirbook (ca. 1520-27) and Vincenzo Ruffo's Missae quatuor concinate ad ritum concilii mediolani of 1570. The twenty motets contained in it include occasional works, pieces specific to both the Ambrosian and Roman festal calendars, ambitious multipartite settings of vespers hymns, and an Elevation motet. Together they demonstrate the adaptation of features characteristic of the Josquin generation, including cantus firmus, ostinato, coloration, and mensuration canon, to later sixteenth-century practice. Consideration of this repertoire within the context of surviving documentation from the Duomo illuminates our understanding of the role of polyphony in civic worship." -- Provided by publisher.
Note Online resource (A-R Editions, viewed May 2, 2019).
Bibliography Includes bibliographical references (pages xvi-xviii).
Contents Veni sancte spiritus -- O Altitudo divitiarum -- Alma redemptoris mater -- Virgo prudentissima -- Confundantur qui me -- Tanto tempore -- Si bona suscepimus -- Ave regina caelorum -- Ecce nos relinquimus -- Porta haec clausa erit -- Haec dies -- Tu solus -- Quid retribuam domino -- Sana me domine -- Proh dolor -- Inclina Deus meus -- Inviolata, integra, et casta es Maria -- Quasi stella matutina -- Popule meus -- Ave maris stella.
Subject Motets, Italian -- 16th century -- Scores.
Choruses, Sacred (Mixed voices, 5 parts), Unaccompanied.
Chronological Term 1500-1599
Genre/Form Scores
Scores.
Partitions (Musique)
Added Author Getz, Christine Suzanne, 1957- editor.
Other Form: Print version: Werrecore, Mathias, active 1522-1574. Canti quos motetta vocant. Cantuum quinque vocum quos motetta vocant... Middleton, Wisconsin : A-R Editions, Inc., 2008. (OCoLC)232130036 9780895796349
ISBN 9781987201857 (online)
198720185X
9780895796349 (print)
Standard No. 10.31022/R151 doi
Music No. R151 A-R Editions, Inc.

 
    
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