| Description |
1 online resource (1 score (xxvi, 160 pages, 3 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Recent researches in the music of the Renaissance ; 144 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; 144.
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Recent researches in music online. 2577-4573
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| Note |
The composer's complete works, except for the chorale, "In gott gleub ich das er hat"; chiefly for 4 mixed voices; Resurrectio Christi and Benedictus Dominus Deus Israel are for 5 mixed voices. |
| Language |
Motets have Latin words; chansons have French words; also printed as texts with English translations on pages xx-xxvi. |
| Note |
Includes introduction and critical report. |
| Summary |
"Nicolas Payen (ca. 1512-59), a native of Soignies and pupil of Gombert, entered the service of Charles V in 1522 and remained associated with the prestigious capilla flamenca for over thirty years. When Charles's son Philip became King of Spain in 1556, Payen, maestro de capilla to Charles since 1556, was a key figure during this transition, serving Philip as his first chapel master. His music, consisting of thirteen motets, one chorale, and five chansons (a sixth is incomplete), survives in various printed motet and chanson anthologies and a single manuscript. The motets, although written for a Catholic chapel, were published in collections destined for use in the burgeoning Protestant church. Very little research has been done on the composer and his music, as only a few of his works have been published in modern editions. This edition presents Payen's collected motets and chansons for the first time, allowing scholars to evaluate his position in history based on his entire compositional oeuvre instead of a few isolated pieces." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed June 5, 2019). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Motets. Virgo prudentissima ; Coenantibus illis ; Carole cur defles, Isabellam ; Nunc dimittis ; Resurrectio Christi/Surrexit ; Quis dabit capiti ; Convertimini ad me ; Domine, Deus salutis ; Domine demonstrasti ; Confitemur dilecta ; Nisi quia Dominus erat in nobis ; Benedictus Dominus Deus Israel ; Eripe me de inimicis meis Domine -- Chansons. Fringotes jeusnes fillettes ; Hau de par Dieu ; Il y a de lognon ; Je ne me puis tenir ; Avecque vous mon amour finera ; Vien tost despiteux desconfort. |
| Subject |
Motets -- Spain -- 16th century -- Scores.
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Choruses, Sacred (Mixed voices, 4 parts), Unaccompanied.
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Choruses, Sacred (Mixed voices, 5 parts), Unaccompanied.
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Polyphonic chansons -- Spain -- 16th century -- Scores.
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Motets -- Espagne -- 16e siècle -- Partitions.
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Chœurs sacrés (Voix mixtes, 4 voix) a cappella.
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Polyphonies françaises -- Espagne -- 16e siècle -- Partitions.
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Choruses, Sacred (Mixed voices, 4 parts), Unaccompanied
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Spain https://id.oclc.org/worldcat/entity/E39PBJqFTrvj6Mhw6JfTGmqJDq
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| Chronological Term |
1500-1599
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| Genre/Form |
Motets
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Polyphonic chansons
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Scores
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Motets.
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Polyphonic chansons.
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Scores.
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Motets.
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Chansons polyphoniques françaises.
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Partitions (Musique)
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| Added Author |
McDowell, Laura Pollie, editor.
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| Other Form: |
Print version: Payen, Nicolas, approximately 1512-approximately 1559. Works. 2006. Motets and chansons. Middleton, Wisconsin : A-R Editions, Inc., 2006. (OCoLC)69419716 9780895795939 |
| ISBN |
9781987202281 (online) |
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1987202287 |
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9780895795939 (print) |
| Standard No. |
10.31022/R144 doi |
| Music No. |
R144 A-R Editions, Inc. |
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