| Description |
xi, 244 p. : ill. |
| Series |
Continuum film studies
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : why rape? / Dominique Russell -- Canonical works and auteurs: Screen/memory : rape and its alibis in Last year at Marienbad / Lynn A. Higgins ; The fault lines of vision : Rashomon and The man left his will on film / Eugenie Brinkema ; Bunuel : storytelling, desire and the question of rape / Dominique Russell -- Materiality and metaphor : rape in Anne Claire Poirier's Mourir a tue-tete and Jean-Luc Godard's Weekend / Shana MacDonald ; Sins of permission : the union of rape and marriage in Die Marquise Von O and Breaking the waves / Victoria Anderson ; Rough awakenings : unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa -- English-language independent cinemas: Jane Campion's women's films : art cinema and the postfeminist rape narrative / Shelley Cobb ; Boys don't get raped / Ann J. Cahill ; "If it was a rape, then why would she be a whore?" : rape in Todd Solondz' films / Michelle E. Moore -- Case study : Cinema brut and the new French extremists: "Typically French"? : mediating screened rape to British audiences / Martin Barker ; On watching and turning away : Ono's Rape, cinema direct aesthetics and the genealogy of cinema brut / Scott MacKenzie ; Uncanny horrors : male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard ; Sexual trauma and jouissance in Baise-moi / Joanna Bourke ; Shame and the sisters : Catherine Breillat's A ma soeur! (Fat Girl) / Tanya Horeck. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Rape in motion pictures.
|
|
Independent films -- History and criticism.
|
| Genre/Form |
Electronic books.
|
| Added Author |
Russell, Dominique, 1965-
|
|
ProQuest (Firm)
|
| ISBN |
082642967X (hardcover : alk. paper) |
|
9780826429674 |
|
9781441173799 (electronic bk.) |
|
