Includes bibliographical references (p. [185]-195]), discography (p. [197]), and index.
Contents
Feminist aesthetics in music -- Music in context and practice -- The power of sound, the power of sex : Alma Schindler-Mahler's Ansturm -- Sexing the subject of musical analysis : Rebecca Clarke and Elisabeth Lutyens -- Meditations on feminist aesthetics : Anne Boyd's Cycle of love -- Framing the case for a feminist reading of Elena Kats-Chemin's postmodern Tast-en -- Sexual signatures : feminist aesthetics in the music of Moya Henderson after the death of the author -- This music which is between two.
