| Description |
xii, 268 p. : ill. ; 24 cm. |
| Series |
Theater--theory/text/performance
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Early days, early works / Enoch Brater -- Timebends world / Frank Gagliano -- Arthur Miller and the drama of American liberalism / Mike Sell -- Teaching the unseen presence in Miller's plays / Bruce J. Mann -- All my sons / Patricia D. Denison -- Setting the scene / Austin E. Quigley -- Symbolist scenography of Arthur Miller / Arnold Aronson -- From technology to trope / Andrew Sofer -- Misfits and American culture / Laurence Goldstein -- Miller, Monroe, and the remaking of Jewish masculinity / Johnathan Freedman -- American clock / Peter W. Ferran -- "Vaudeville at the edge of the cliff" / Toby Zinman -- Interview with Patrick Stewart / Toby Zinman -- Late plays of Arthur Miller / Robert Scanlan -- Manipulating Miller / Ruby Cohn -- In Willy Loman's garden / Deborah R. Geis -- Theorizing Salesman / Elinor Fuchs -- William Bolcom's A view from the bridge and American opera / Enoch Brater -- Conversation with Arthur Miller / Enoch Brater -- Afterword / Mel Gussow. |
| Subject |
Miller, Arthur, 1915-2005 -- Criticism and interpretation.
|
|
Miller, Arthur, 1915-2005 -- Stage history.
|
|
Theater -- United States -- History -- 20th century.
|
|
National characteristics, American, in literature.
|
|
Miller, Arthur, 1915-2005 -- Knowledge -- America.
|
| Added Author |
Brater, Enoch.
|
| ISBN |
0472114107 (cloth : alk. paper) |
|
9780472114108 (cloth : alk. paper) |
|
0472031554 (pbk. : alk. paper) |
|
9780472031559 (pbk. : alk. paper) |
| Standard No. |
NLGGC 267717113 |
|
YDXCP 2111712 |
|
YDXCP 2368406 |
|
NZ1 8992027 |
|
NZ1 8808661 |
|
