Description |
1 online resource (490 pages) : illustrations. |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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data file rda |
Series |
Film culture in transition |
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Film culture in transition.
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Bibliography |
Includes bibliographical references (pages 421-429), filmography (p. 431-462) , and index. |
Contents |
Part I. Hitchcock, Motifs and Melodrama. Introduction -- Three motifs. Home movies -- Cigarette case/lighter -- Milk -- Melodrama and Hitchcock's motifs -- An elaborated motif: the Bed Scene in Rebecca and Marnie -- A melodramatic motif: hands -- Diagrammatic representations -- Overview of the key motifs -- Part II. The Key Motifs. BED SCENE -- Couples and beds -- Beds and the police -- BLONDES AND BRUNETTES -- CAMEO APPEARANCES -- Cameos and the police -- CHILDREN -- Children's cameos -- Family members -- Children and violence -- Children and the police -- CONFINED SPACES -- Bathrooms and washrooms -- Confinement and concealment -- Cages and bars: fears of imprisonment -- Washrooms and the police -- THE CORPSE -- The heroines -- The heroes -- The villains -- Corpses and the police -- DOGS AND CATS -- Dogs and the police -- DOUBLES -- Doubles and the police -- ENDINGS AND THE POLICE -- ENTRY THROUGH A WINDOW -- Entry through a window and the police -- EXHIBITIONISM / VOYEURISM / THE LOOK -- EXHIBITIONISM / VOYEURISM -- SPY FILMS / THE LOOK -- Exhibitionism, voyeurism and the police -- FOOD AND MEALS -- Food and marriage -- Food and sex -- Food and murder -- Food and guilt -- Chickens and eggs -- Table talk and fascism -- Food and the police -- GUILTAND CONFESSION -- Catholic overtones -- Guilt and Hitchcock's villains -- Transference of guilt -- Guilt, confession and the police -- HANDCUFFS AND BONDAGE -- HANDS -- Male hands/female hands -- Held wrists -- Damaged hands -- Holding hands -- Hands and the police -- HEIGHTS AND FALLING -- Heights, falling and the police -- HOMOSEXUALITY -- Critical positions -- Gay undercurrents -- Espionage and the look -- Ivor Novello -- Homosexuality and the police -- JEWELLERY -- Greed -- Status -- Female desire -- Female beauty/male power -- Male murderousness -- Jewellery and the police -- KEYS AND HANDBAGS -- KEYS -- Keys and handbags -- HANDBAGS -- Handbags and keys -- Keys, handbags and the police -- LIGHT(S) -- Vampires and blinding -- Murder and homosexuality -- Lights and the police -- THE MACGUFFIN -- The MacGuffin and the police -- MOTHERS AND HOUSES -- Mothers and the police -- PORTRAITS, PAINTINGS AND PAINTERS -- PORTRAITS -- PAINTINGS -- Modern art -- PAINTERS -- Portraits, paintings and the police -- PUBLIC DISTURBANCES -- Public disturbances and the police -- SPECTACLES -- Spectacles and the police -- STAIRCASES -- Hitchcockian levels -- Political variations -- Sinister staircases -- Freudian overtones -- Couples and staircases -- Staircases and the police -- TRAINS AND BOATS / PLANES AND BUSES -- TRAINS -- BOATS -- PLANES -- BUSES -- Trains and boats and the police -- WATER AND RAIN -- WATER -- RAIN -- Water and the police -- Appendix I: TV Episodes. BED SCENE -- CHILDREN -- CONFINED SPACES -- THE CORPSE -- DOUBLES -- FOOD AND MURDER / ENDINGS AND THE POLICE -- LIGHTS -- BOATS -- Appendix II: Articles on Hitchcock's motifs -- Appendix III: Definitions. Diegesis -- Point-of-view editing. |
Summary |
Hitchcock's work through his recurring motifs. |
Note |
Print version record. |
Language |
English. |
Access |
This work is licensed under the following Creative Commons License: Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0). |
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Use copy Restrictions unspecified star MiAaHDL |
Reproduction |
Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2024. MiAaHDL |
System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
Processing Action |
digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL |
Subject |
Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation.
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Hitchcock, Alfred, 1899-1980 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq
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Hitchcock, Alfred 1899-1980
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Hitchcock, Alfred, 1899-1980 -- Themes, motives.
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Motion pictures -- Plots, themes, etc.
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Cinéma -- Intrigues, thèmes, etc.
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The arts.
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Film, TV and radio.
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Films, cinema.
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Individual film directors, film-makers.
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PERFORMING ARTS -- Film & Video -- Direction & Production.
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PERFORMING ARTS -- Film & Video -- General.
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Motion pictures -- Plots, themes, etc.
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Music, Dance, Drama & Film.
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Film.
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Indexed Term |
Multi-User. |
Genre/Form |
Criticism, interpretation, etc.
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In: |
Books at JSTOR: Open Access JSTOR |
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OAPEN (Open Access Publishing in European Networks) OAPEN |
Other Form: |
Print version: Walker, Michael. Hitchcock's motifs. Amsterdam : Amsterdam University Press, 2005 9053567720 9053567739 (OCoLC)62768303 |
ISBN |
1423746295 (electronic bk.) |
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9781423746294 (electronic bk.) |
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9789048505456 (electronic bk.) |
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9048505453 (electronic bk.) |
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9789053567722 |
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9053567720 |
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9789053567739 |
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9053567739 |
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1280958162 |
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9781280958168 |
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9786610958160 |
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6610958165 |
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9790000000000 |
Standard No. |
340200 |
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10.1515/9789048505456 doi |
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AU@ 000048782641 |
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AU@ 000051328185 |
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AU@ 000053226272 |
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AU@ 000058164887 |
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AU@ 000060050369 |
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DEBBG BV043066581 |
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DEBBG BV044133663 |
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DEBSZ 422302929 |
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GBVCP 1003572871 |
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NZ1 12033463 |
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NZ1 14939697 |
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