Description |
1 online resource (1 score (xv, 101 pages, 2 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
Series |
Recent researches in the music of the Renaissance ; 106 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; 106.
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Recent researches in music online. 2577-4573
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Note |
Polyphonic chansons; also includes non-French secular partsongs and motets. |
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For cantus, altus, tenor, and bassus. |
Language |
Words of texted works in French (principally), Italian, Spanish, and Latin; also printed as texts with English translations on pages xiii-xv. |
Note |
Edited from various manuscripts and early printed collections. |
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Includes preface and critical notes. |
Summary |
"From the closing decades of the fifteenth century through the 1530s a new line was sometimes added to works that were already complete, usually transforming a composition of three voices into one for four voices. The frequency with which this si placet voice was added coincides with a general turn to a four-voice norm for the chanson and other genres that had previously favored three voices. Performers will find these voices useful options for enhancing texture and harmony. Some si placet lines are extant in two versions, one of which is apparently an instrumentalization of the other, offering performers clues to improvisatory procedure of the period. Analysts will find si placet voices valuable for the evidence they offer regarding compositional priorities and procedures." -- Provided by publisher. |
Note |
Online resource (A-R Editions, viewed March 26, 2020). |
Bibliography |
Includes bibliographical references. |
Contents |
Amour vault trop -- Amy, souffrez -- Ave, regina caelorum -- Belle sur toutes/Tota pulchra es -- Ces facheux sotz -- C'est donc par moy -- Da pacem Domine -- De vostre deul -- Fortuna desperata -- Fortune, lesse moy -- Fortune, par ta cruaulté -- Helas, que pourra devenir -- Io son maistro barileto -- J'ay trop aymé -- Je ne sçay pas : (based on Reg 940-41) -- Je ne sçay pas : (based on Mun 1516) -- Le despourveu infortuné -- Madame qui tant -- Nunca fué pena maior -- Or vray Dieu -- Oublier veuil tristesse -- Serviteur suis -- Si dedero -- S'il vous plait -- Untitled. |
Subject |
Polyphonic chansons -- 15th century -- Scores.
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Polyphonic chansons -- 16th century -- Scores.
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Motets -- Scores.
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Polyphonies françaises -- 15e siècle -- Partitions.
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Polyphonies françaises -- 16e siècle -- Partitions.
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Motets -- Partitions.
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Chronological Term |
1400-1599
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Genre/Form |
Motets
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Polyphonic chansons
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Scores
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Motets.
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Polyphonic chansons.
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Scores.
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Motets.
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Chansons polyphoniques françaises.
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Partitions (Musique)
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Added Author |
Self, Stephen Daniel, 1954- editor.
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Other Form: |
Print version: Si placet repertoire of 1480-1530. Madison, Wisconsin : A-R Editions, Inc., 1996. (OCoLC)36243975 9780895793737 |
ISBN |
9781987204681 (online) |
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1987204689 |
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9780895793737 (print) |
Standard No. |
10.31022/R106 doi |
Music No. |
R106 A-R Editions, Inc. (score) |
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