| Description |
1 online resource |
|
text txt rdacontent |
|
computer c rdamedia |
|
online resource cr rdacarrier |
| Series |
Tracking pop |
|
Tracking pop.
|
| Bibliography |
Includes bibliographical references (pages 269-289) and index. |
| Note |
Print version record and CIP data provided by publisher. |
| Contents |
Preface; Part I-What Is the Underground?; 1. Introduction to the Underground and Its Fringes; 2. The Music and Musicians; 3. Global and Local Underground/Fringe Scenes; Part II-The Political and Cultural Underground; 4. Politics and Underground/Fringe Music; 5. Cultural Policy and Underground/Fringe Music; 6. Artists and Music, Improv and Noise; 7. The Digital Economy and Labels; 8. Festivals and Venues; Part III-Listening to the Underground; 9. Noise as Concept, History, and Scene; 10. The Politics of Underground Music and Noise; 11. The Sounds of Noise; 12. Extreme Metal |
|
ConclusionList of Interviewees; Notes; Bibliography; Index |
| Summary |
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy. |
| Subject |
Underground music -- Social aspects.
|
|
Underground music -- Political aspects.
|
|
Underground music -- History and criticism.
|
|
Subculture.
|
|
Musique underground -- Aspect social.
|
|
Musique underground -- Aspect politique.
|
|
Musique underground -- Histoire et critique.
|
|
Subculture.
|
|
MUSIC -- Instruction & Study -- Theory.
|
|
MUSIC -- General.
|
|
Subculture
|
|
Underground music
|
| Genre/Form |
Academic Dissertation |
|
dissertations.
|
|
Academic theses
|
|
Criticism, interpretation, etc.
|
|
Academic theses.
|
|
Thèses et écrits académiques.
|
| Other Form: |
Print version: Sounds of the underground. Ann Arbor : University of Michigan Press, [2016] 9780472119752 (DLC) 2015046845 |
| ISBN |
9780472121649 (electronic book) |
|
0472121642 |
|
0472119753 |
|
9780472119752 |
|
9780472902378 (electronic bk.) |
|
0472902377 (electronic bk.) |
| Standard No. |
10.3998/mpub.8295270 |
|
AU@ 000073109525 |
|
